
Wishing you and yours a very Merry Christmas!
Be safe, be happy and spread cheer today and
always...
Peace...
Difficult times have helped me to understand better than before, how infinitely rich and beautiful life is in every way, and that so many things that one goes worrying about are of no importance whatsoever...-- Isak Dinesen

There is this Ikea commercial that comes on almost every time I sit down to watch tv, that annoys the hell out of me.Alicia Keys has parlayed her fame – selling 20 million albums worldwide since 2001's Songs in A Minor, a perennial on the People most beautiful list – into philanthropic work in Africa. Here's some more about her.

1 She adopted her signature braids at 13, when she discovered that it got her through humid New York City summers.
2 She features rappers as her love interests in her music videos: Common ("Like You'll Never See Me Again"), Method Man ("If I Ain't Got You") and Mos Def ("You Don't Know My Name").
3 "I'm happy that I'm not super skinny," Ms. Keys told Ebony in 2004. "Sometimes I've gotten photographs back, and people have literally shaven off pieces of me, and I tell them to put it back."
4 While on the road, she carries "a cute pink bunny. It reminds me that not everything is so serious," she told InStyle.
5 Bob Dylan mentions Ms. Keys in his song "Thunder on the Mountain": "I was thinking about Alicia Keys/Couldn't keep from crying/When she was born in Hell's Kitchen, I was living down the line/I'm wondering where in the world Alicia Keys could be?"
People.com

Alicia Keys has a new song called Superwoman: "Even when I'm a mess, I still put on a vest with an 'S' on my chest. Oh yes, I'm a superwoman."
"I'm talking about every woman who has felt weak before and is still so strong even in her weakness," she says on the line from New York. "But that's me. I'm talking about me."
Ask Keys what her weaknesses are, and she says "ex-weaknesses. Because I'm new and improved".
"I was a very chronic people-pleaser. Like, chronic. To the point where everyone else came first, even people I didn't know."
This might come as a surprise to her fans. Ever since she hollered the empowering A Woman's Worth, Keys has represented female strength and dignity, an anomaly in a music scene dominated by sexualised, well, people-pleasers.
She has nine Grammys. Her first album, Songs in A Minor, sold 50,000 copies in its first day. Her second, The Diary of Alicia Keys, released in 2003, has sold eight million. She has banked on her biggest hits - among them, Fallin', You Don't Know My Name and Unbreakable - with a popular live album, MTV Unplugged in New York, becoming the first female R&B artist to have three consecutive number one debuts on the United States album chart.
Then there are her critically acclaimed film roles, playing a kick-ass assassin in Smokin' Aces and Scarlett Johansson's best friend in The Nanny Diaries, her philanthropic work including a charity for poor kids in Africa, and her live shows where she plays the piano with her hands literally behind her back.
Now she has her new third album, As I Am, which has already spawned a No. 1 single, No One, on the US R&B charts. It could be prescribed as an alternative to Prozac, such is its uplifting powers.
"I think I'm a person who looks for strength. That's cool. As women we definitely have to feel strong about ourselves."
Yet when Keys came off a 2 1/2-year tour for Diary, she felt anything but strong. "I just remember getting home and being totally knocked off my feet."
Still, she launched into the film work, and couldn't say no to the "incredible" opportunity to visit Africa for her Keep a Child Alive charity. She was so busy, so exhausted, she didn't notice the black clouds gathering.
"It was pretty much a full-out crash, burn-down. I became a person I didn't even know. I didn't recognise myself. I didn't like myself. I didn't like how I felt. I didn't want to go to sleep because I couldn't sleep. I was just totally reaching a point that I never thought that I would reach.
"It made me so mad and I got mad enough to realise that I never wanted to feel that way ever again."
It was during the songwriting process for As I Am that Keys says she worked out what the problem was. She wasn't just a people-pleaser and a yes-girl, she was a control freak.
"When it comes to my music I always guess I've been a little bit controlling because I'm a young woman and people often take advantage of that.
"So I always felt like I had to have everything prepared so no one could pull anything over on me.
"Even in my personal life with friends and family I'd get to this place like, 'If you're not doing it it's not going to happen'. That's ridiculous. You can't expect to be the saviour and the reason for everything."
Although the album title suggests complete autonomy, she kept her promise not to over-commit and employed help from songwriters Linda Perry, John Mayer, Harold Lilly, Sean Garrett and producers Mark Batson, Dirty Harry, Swizz Beatz and Jack Splash.
She also worked with her long-term songwriting partner, and real-life love, Kerry "Krucial" Brothers.
And if it sounds as though she's speaking to someone, that's because she is. She wrote many of the songs as reminders to herself about what she'd learned.
On Sure Looks Good to Me, she sings, "Don't rain on my parade, life's too short to waste one day, I'm gonna risk it all, the freedom to fall."
"I was definitely in searching mode and I really found out a lot about myself," she says. "I was just determined, and I still feel very determined, to create the music in my spirit and heart and not dilute it or put expectations on it. I realised I wanted to be a person who was brutally honest to myself.
"To create what you hear in your head is not always easy. In this case I felt a lot more confident in my arrangements, my skills, my production skills, writing skills, just being an artist and I've become more strong and more confident. Overall that confidence made it sound grander and helped me achieve the things I heard."
As I Am has all the hallmarks that made Keys famous. There's that huge, Aretha-meets-Janis Joplin voice, with just the right levels of sexy huskiness and vulnerability. There are her classically trained piano hands working in the background - although this album puts more of the focus on her voice and less on the keys. And there are her big, 70s-inspired soul tunes that elicit a strong sense of empowerment, the diva who always comes across as such on the red carpet.
Ironically for all the tumult behind it, the result suggests Keys is happier than ever.
"I've learned that, sometimes to be the best, you don't have to try that hard. You just have to let it be what it's meant to be, that freedom and relaxing into the moment and just allowing the moment to be as opposed to controlling the moment. I had a lot of fun. I would leave the studio at like, 4 in the morning and look around, just wow, what a day. That's a great feeling."
LOWDOWN
Who: Alicia Keys
Born: Alicia Augello-Cook, January 25, 1981 Albums: Songs in A Minor (2001), The Diary of Alicia Keys (2003), As I Am (2007), out this week



By JACOB ADELMAN, Associated Press Writer Sun Nov 11, 6:49 PM ET
LOS ANGELES - Donda West, mother of Kanye West and former chairwoman of Chicago State University's English department, has died, a spokesman for the rapper said. She was 58.
"The family respectfully asks for privacy during this time of grief," the spokesman said.
A cause of death has not been released.
Donda West was known for the strong bond she shared with her son, by whose side she was often seen at parties and award shows.
Kanye West, 30, often spoke of his close relationship with his mother, who raised him alone after her husband left when Kanye was 3.
She was the inspiration for the song, "Hey Mama," on Kanye West's 2005 album "Late Registration," in which he sings: "Hey Mama, I wanna scream so loud for you, cuz I'm so proud of you ... I appreciate what you allowed for me. I just want you to be proud of me."
Donda West frequently defended her son against critics who accused him of penning misogynistic lyrics and other purported transgressions.
"I support my baby," she said in a Chicago Sun-Times interview. "He is telling how he feels and he is speaking the truth as he sees it."
In May, she published the book "Raising Kanye: Life Lessons from the Mother of a Hip-Hop Star," in which she paid homage to her famous son.
Donda West served as chief executive of West Brands LLC, the parent company of her son's business enterprises, and as chairwoman of the Kanye West Foundation, an educational nonprofit that works to decrease dropout rates and improve literacy.
Kanye West told the Associated Press in August that he and his mother worked together to devise the foundation's first program, "Loop Dreams," which helps public school students get involved in music.
"Me and my mother were discussing ways to give back and came up with the concept," he said.
Donda West worked in higher education for 31 years, before leaving academia in 2004 to help manage her son's career, according to a biography on the Kanye West Foundation's Web site.
She began working at Chicago State University in 1980 and eventually chaired the school's English department, according to the site. She started her teaching career in the early 1970s as an instructor at Brown College in Atlanta.
Kanye West's writing partner Rhymefest lamented Donda West's death Sunday in an appearance on Chicago radio station WCGI.
"She was everyone's mom," Rhymefest said. "A spirit never dies, a spirit lasts forever."
___
Associated Press Music Writer Nekesa Mumbi Moody in New York and AP writer Sophia Tareen in Chicago contributed to this report.
I was just watching MTV's Unplugged with Kanye West the other day. It was a repeat from 2005, but I still thought that it was very well done. What I liked the most about it was the fact that Kanye's mother was in the audience grooving to all of the songs (she knew the lyrics to every song he performed). When Kanye performed "Hey Mama" from his sophomore cd Late Registration, he brought his mother onto stage and sang to her.
I've had my issues with Kanye West, but I can't deny that the man is a good artist with a gift for producing. What bothers me about him is his arrogance and need to "flash" all of the time. I guess it goes to show even those with money and fame cannot escape losing those that are most precious to them.


I would like to think people have grown past the outdated notion that beauty is assessed by skin tone. Unfortunately, for some beauty is still defined by that very thing. I do not agree with it or support it. Being a South Asian myself, I remember all too well, the sad importance paid on achieving fairness. I would like to think my generation is beyond skin color and is not abusing bleaching creams to find some kind of fortune or good luck. Dark is lovely. Fair is lovely. All the colors in between, equally lovely. Can you dig it?
I am sure there are plenty of people who feel the way I do. I am not generalizing and trying to stay away from any kind of stereotype. I know regardless of how I feel, sometimes the media and fashion advertising can foster such negative stereotypes and ideals.
Just recently Vogue launched its magazine in India. Wonderful thing for fashionistas abroad and here. What made me a little sad was the cover. Here you have two beautiful Indian Women, [thats seem okay right?] balancing the center Model who is not Indian. The model is equally beautiful. Why not All Indian models? It's the first issue especially geared for Indian women. Maybe the intentions weren't rooted in some marketing ideal. However, it does make me think. I guess we should look forward to future issues.
With that being in mind, I ran over to Youtube. I thought of the "Fair and lovely" bleaching cream. I remember how crazy those old commercials were. A girl, who was down on her luck, found her savior in skin lightening. Her luck changed. Suddenly she was more successful and happier.
Women have suffered long enough to what marketing campaigns have labeled beauty. We have eaten the bread and butter they served us, and we are still fat. At 27 , I know better not to buy into that. What scares me is some women in my age group still eat that bread and butter.
Not to go into another topic, but I am all for self improvement. I believe we should always be working towards our best, both mentally and physically. I do not think that we should be ashamed of what we are. We should not feel insecure about our given gifts of individual beauty. We are all unique and little bit different on purpose. No one is the same. We are all beautiful.
















And that's the end of my playlist for the beginning of January .. a combination of old and new songs that make me feel like vibin' out...